Thousands celebrate as fire-devils light up Catalonia's La Patum festival
Thousands of revellers packed Berga's main square as fire-devil performers showered the crowd with sparks during Catalonia's UNESCO-listed La Patum fe...
Off the southern coast of Japan, beneath the turquoise waters of the East China Sea, lies a structure that has puzzled researchers for decades. Known as the Yonaguni Monument, this underwater formation resembles a giant step pyramid and is the centre of one of archaeology’s most fascinating debates.
A discovery that shook history books
The monument was first discovered in 1986 by a local diver near Yonaguni Island, part of the Ryukyu archipelago. Submerged about 25 metres (82 feet) beneath the surface, the formation stretches some 90 feet high and features sharp-angled terraces, flat platforms, and what appear to be steps.
Photographs of the site instantly fuelled comparisons to Mayan pyramids or even the terraced stonework of Machu Picchu, sparking speculation that it could represent the ruins of a long-lost civilisation.
Initial dating of the stone suggested the formation could be more than 10,000 years old, older than the pyramids of Giza and Stonehenge. If true, this would place the structure’s creation long before the rise of agriculture, when humans were thought incapable of organising such monumental construction.
Between science and speculation
Since its discovery, experts have split into two camps.
The natural formation theory
Geologists argue that Yonaguni’s sandstone and mudstone naturally fracture into straight lines, giving the impression of stairs and plazas. Robert Schoch, who has dived the site extensively, concluded:
“As difficult as it may be for some to accept, I have to report that I do not believe it is an artificial, human-made structure. It is indeed incredible, but it is primarily natural.”
Archaeologist Flint Dibble echoed this view in 2024, telling the Joe Rogan Experience:
“I’ve seen a lot of crazy natural stuff, and I see nothing here that to me reminds me of human architecture.”
The lost civilisation theory
Others, including writer Graham Hancock, argue the monument shows unmistakable signs of intelligent design. Hancock points to arches, terraces, and even face-like carvings as proof of human craftsmanship. “To me, Flint, it’s stunning that you see that as a totally natural thing,” he fired back in the same debate. “But I guess we’ve just got very different eyes.”
Supporters of this view link Yonaguni to myths of Mu, a lost Pacific continent akin to Atlantis. They argue the structure may have been built on dry land before sea levels rose dramatically after the last Ice Age, submerging coastlines worldwide.
Legends, links, and lost worlds
Local folklore speaks of sea gods and submerged kingdoms in the waters around Yonaguni. Some divers even claim to see what look like “roads,” “plazas,” and “altars” when swimming around the monument.
Comparisons with sites such as Göbekli Tepe in Türkiye, a 12,000-year-old stone temple complex built millennia before Stonehenge, fuel speculation that advanced civilisations may have existed earlier than once believed. If Göbekli Tepe is evidence of unexpected sophistication on land, could Yonaguni represent its drowned counterpart under the sea?
Why it still matters
If man-made, the Yonaguni Monument would rewrite the timeline of human history, suggesting complex societies flourished long before agriculture. If natural, it remains a geological wonder, one that may have inspired the island’s earliest inhabitants, who carved tombs and shrines into the surrounding rock.
But perhaps the truth lies somewhere in between: a natural formation later admired, modified, or used by ancient people, much like caves decorated with prehistoric art in Europe.
A mystery that endures
Nearly forty years on, the debate remains unresolved. To some, Yonaguni is Japan’s Atlantis; to others, it is a striking reminder of nature’s power to mimic human artistry.
What is certain is that the monument continues to captivate divers, researchers, and dreamers alike, its terraced stones blurring the line between fact and legend.
As Hancock once remarked:
“We are a species with amnesia. Yonaguni may be part of the memory we’ve lost.”
Whether natural or crafted, the Yonaguni Monument reminds us that beneath the ocean’s surface may still lie secrets powerful enough to change the way we see our past.
Counting is underway in Armenia's elections. The results of the vote are set to determine the political direction of the country of three million people for the next few years. Prime Minister Nikol Pashinyan is hoping to fend off challenges from several pro-Russia candidates to secure a third term.
Armenian Prime Minister Nikol Pashinyan's Civil Contract party has won the Armenian elections, picking up nearly half the vote. With a majority in parliament, Pashinyan is set for a third term as Prime Minister. But an opposition politican has said he will challenge the election results.
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Barcelona is preparing to mark a historic milestone in the legacy of architect Antoni Gaudí as Pope Leo XIV visits the city this week to inaugurate the Tower of Jesus Christ at the Sagrada Família basilica, almost exactly 100 years after the visionary architect’s death.
Iran and Israel have halted strikes on each other, but Tehran has warned it will recommence attacks if Israel continues military action in Lebanon. U.S. President Donald Trump and Lebanese President Joseph Aoun have meanwhile made pleas for peace.
China will send an astronaut to its space station on Sunday for a one-year mission, the longest duration for the country so far. The mission will help study long-duration human physiology in space as China works toward a crewed Moon landing by 2030.
Anxiety over artificial intelligence is hardening among young workers as executives promote faster adoption and companies point to automation in fresh job cuts.
Hackers are increasingly using artificial intelligence to detect software vulnerabilities, reducing the time organisations have to respond to cyber threats, Verizon said in its annual data breach report.
China has launched the world’s first experiment to study how artificial human embryos develop in space, marking a major step in understanding whether humans could one day reproduce beyond Earth.
Japanese filmmaker Koji Fukada has said that the use of artificial intelligence (AI) to “jump straight to the result” risks undermining the purpose of art, which he believes should be rooted in self-expression and a deeper understanding of the world.
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