live Zelenskyy says Russia hit six energy targets despite ceasefire
Ukrainian President Volodymyr Zelenskyy says Russia hit at least six energy targets in deadly strikes across Ukraine, showing Moscow is unwilling t...
South Korean pop sensation BTS, one of the world’s biggest music acts known for their record-breaking albums, global tours and devoted fanbase ARMY, will return to the spotlight in a new documentary, BTS: THE RETURN, premiering globally on Netflix on 27 March.
The film chronicles the septet’s reunion after nearly four years apart, offering a behind-the-scenes look at the making of their fifth studio album, ARIRANG, and the personal pressures of reclaiming the stage.
Directed by acclaimed filmmaker Bao Nguyen, the film chronicles BTS’s journey as they regroup as a full unit and prepare their first major project since members completed mandatory military service.
The trailer reveals the band expressing pressure, vulnerability and questions about whether they can meet expectations after time apart, giving fans a rare window into the personal stakes behind their comeback.
The documentary is expected to delve beyond the spectacle of the live show and chart how the members, RM, Jin, SUGA, j‑hope, Jimin, V and Jung Kook, reconnect creatively and personally, explore the themes of their new music and reflect on the group’s evolution.

The documentary is set to arrive days after the release of BTS’s fifth studio album Arirang on 20 March and an open‑to‑the‑world live performance.
The concert titled BTS: THE COMEBACK LIVE | ARIRANG, will be livestreamed on 21 March from Gwanghwamun Square to viewers around the world.
The concert itself is set to be a major cultural moment in Seoul, with tens of thousands expected to attend on site and millions tuning in via Netflix.
BTS announced their comeback with handwritten letters to their global fanbase, thanking supporters for their patience and loyalty during the extended break.
The comeback also sets the stage for the upcoming Arirang World Tour, a global concert series spanning Asia, Europe, North and South America, and beyond, beginning in April and running through 2027.
One person was killed and nearly a dozen hurt in a fresh attack on Riyadh's international airport on Sunday, Saudi authorities reported, a day after a strike claimed by Yemen's Houthis killed 13 people and wounded more than 300.
Yemen's Houthis renewed warning to airlines, airport workers, and travellers against using Saudi airports, saying the warning should be taken seriously and that the kingdom “bore responsibility for failed interceptions”, a day after an attack on Riyadh's international airport that killed 12 people.
The Saudi-led coalition in Yemen said late Monday that it intercepted and destroyed two ballistic missiles launched by the Houthi group toward Khamis Mushait in southwestern Saudi Arabia.
The Houthi movement has escalated their attacks on Saudi Arabia, targeting the airport in Riyadh and other cities, killing more than a dozen people.
The Kremlin on Monday rejected a 60-day ceasefire idea proposed by Ukrainian President Volodymyr Zelenskyy to allow his country to hold presidential elections, saying it wanted an overall peace deal instead.
Two paintings by French Impressionist Pierre-Auguste Renoir worth millions of dollars have been recovered a month after they were stolen from a French Riviera museum. Four men have been charged in connection with the theft, while two other suspects have been released without charge.
Iran has unveiled the restored mausoleum of 13th-century mystic Shams Tabrizi in the northwestern city of Khoy, with plans for a cultural tourism route linking the site to the shrine of renowned Persian poet Rumi in Konya, Türkiye.
AnewZ has premiered its new documentary film Kontrapunkt in Berlin, exploring more than two centuries of shared German-Azerbaijani history and the legacy of German communities in Azerbaijan.
Kazakhstan has hosted its first Astana AI Film Festival on attracting more than 8,000 entries from 125 countries and emerging as the world’s largest international competition dedicated to AI-generated films.
Exiled Russian filmmaker Andrey Zvyagintsev confronts conscription and moral compromise in wartime Russia in Minotaur, a drama released nearly five years after Moscow launched its full-scale invasion of Ukraine.
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