Apple’s Formula 1-themed drama F1: The Movie surged to the top of the U.S. and Canadian box office the weekend, collecting $55.6 million in ticket sales and marking the company’s most successful cinematic opening to date, according to data from Comscore.
Starring Brad Pitt as a veteran Formula 1 driver making a comeback after a near-fatal crash, the film exceeded industry expectations, which projected a domestic debut between $45 million and $55 million. Globally, the film raced past $88 million, bolstered by a loyal fan base in Europe and Latin America.
The film's strong performance places it ahead of previous racing dramas, including the critically acclaimed Ford v Ferrari, which debuted with $31 million in 2019. While car racing films have historically struggled to draw large audiences, F1 appears to have broadened its appeal beyond motorsport enthusiasts.
Director Joseph Kosinski, known for his work on Top Gun: Maverick, applied a similar high-octane style to F1, immersing viewers in the speed and spectacle of professional racing. Audiences responded enthusiastically, with CinemaScore polls awarding the film an 'A' rating.
Industry experts point to a combination of star power, smart timing, and cross-platform promotion as key contributors to the film’s success. Apple invested heavily in marketing the $200 million production, using its ecosystem to drive engagement. The tech giant promoted F1 during CEO Tim Cook’s keynote at this year’s Worldwide Developers Conference, offered iPhone users a discount on tickets, and featured the film’s soundtrack across Apple Music.
Warner Bros., which handled marketing and distribution, tailored its strategy by highlighting Formula 1 world champion Lewis Hamilton in international markets while leaning on Brad Pitt’s global recognition to lead the U.S. campaign.
“It’s very much like a perfectly coordinated pit crew in a race,” said Paul Dergarabedian, senior media analyst at Comscore. “They shot this thing off the starting line with great success.”
Netflix’s Formula 1: Drive to Survive series has also been credited with expanding Formula 1’s popularity in the United States, providing a cultural runway for F1: The Movie to resonate with a broader audience.
Apple's previous theatrical efforts, such as Martin Scorsese’s Killers of the Flower Moon, received critical praise but modest box office returns. F1 now marks a turning point for Apple Original Films in terms of commercial viability.
“The film’s outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team,” said Zack Van Amburg, Apple’s head of worldwide video, in a statement.
With a strong launch and positive audience feedback, F1: The Movie is poised to maintain momentum heading into the summer season, potentially signaling a new era for Apple’s ambitions in theatrical cinema.
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